Animal Viewpoints in the Contact Zone of Adam Hines’s Duncan the Wonder Dog

Authors

  • Joan Gordon

DOI:

https://doi.org/10.52537/humanimalia.9952

Abstract

Duncan the Wonder Dog by Adam Hines is an autoethnographic text about the contact zone, as Mary Louise Pratt describes both terms. I will be using this method of postcolonial analysis not to show how the graphic novel allegorizes postcolonialism among human beings, but instead to demonstrate how postcolonialism offers useful tools for understanding the posthumanism of animal subjectivity. After placing Hines’s graphic novel within the range of graphic novels using animal viewpoints, I will analyze how both text and illustrations of Duncan the Wonder Dog negotiate the great difficulties of presenting animal viewpoints, at once acknowledging and contesting the inevitability of such presentations as anthropomorphic. Pratts contact zone emphasizes the importance of pictorial communication in the contact zone to overcome problems of transmission using a variety of pictorial styles, and thus the range of scholarship on picturing animals, from John Berger  to Eileen Crist, will be a crucial part of my examination.

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Author Biography

Joan Gordon

Joan Gordon is an editor of Science Fiction Studies and Humanimalia who has written several articles on the conjunction of science fiction and animal studies. She is Professor Emerita of Nassau Community College.

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Published

2014-02-02

How to Cite

Gordon, J. (2014). Animal Viewpoints in the Contact Zone of Adam Hines’s Duncan the Wonder Dog. Humanimalia, 5(2), 26–46. https://doi.org/10.52537/humanimalia.9952

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Section

Articles