Reclaiming Indigenous Identity through Animal Advocacy In Art

Adrian Stimson and Dana Claxton

Authors

  • Luba Stephania Kozak

DOI:

https://doi.org/10.52537/humanimalia.9502

Abstract

The buffalo is an animal of utmost importance in many Plains Indigenous tribes that holds great historical and spiritual significance. This paper analyzes the representation of the buffalo in the artworks of First Nations artists Adrian Stimson and Dana Claxton, with excerpts from an exclusive interview with Stimson. Through an observation of cross-species encounters in the work of Stimson and Claxton, this paper demonstrates how art can be used as a medium for animal advocacy by situating the non-human within a cultural context, which contributes to the concept of human identity and illustrates alternative Niitsapi perspectives. Posthumanist thought, as well as Indigenous perspectives on human and non-human relations that challenge the decolonizing of posthumanist ideals, will frame the arguments posed in this paper to explore issues of colonial trauma, Indigenous identity, and animal rights.

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Author Biography

Luba Stephania Kozak

Luba Kozak is a graduate student at the University of Regina, nearing the completion of her Master’s of Arts degree in Interdisciplinary Studies. Her current research explores the representation of canine subjects in eighteenth-century British portraiture through an interdisciplinary and post-humanist perspective. Her interests revolve around animal-rights issues, primarily in early modern European art and literature. She currently resides in Saskatoon, Saskatchewan, with her husband and two dogs.

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Published

2019-02-07

How to Cite

Kozak, L. S. (2019). Reclaiming Indigenous Identity through Animal Advocacy In Art: Adrian Stimson and Dana Claxton. Humanimalia, 10(2), 69–94. https://doi.org/10.52537/humanimalia.9502