From Eyes Open to Eyes Closed

A Conversation with Andrea Arnold

Author(s)

DOI:

https://doi.org/10.52537/humanimalia.28281

Keywords:

Andrea Arnold, Cow, animal cinema, documentary, farmed animals, sentience

Abstract

This interview with writer and director Andrea Arnold reflects on her documentary Cow (2021) in the wider context of Arnold’s distinctive body of work. Although Cow is her only documentary so far, it engages many of Arnold’s recurring themes and aesthetic sensibility. We discussed Arnold’s deep attachment to animals, in life and in art, dating back to her childhood; the importance of place and environment in her filmography; and the role animals play in her imagination as beings at once vulnerable and courageously yearning for freedom. Arnold resists theorizing her own work and described filmmaking as an instinctive, forward-moving process. We spoke about the tensions in her films between tenderness and toughness, beauty and cruelty, and between the commitment to not look away and the violence that such looking invariably yields. For Arnold, Cow is not an exposé or an animal rights film. Still, in its unflinching depiction of dairy’s repetitive cycles of calving, lactation, separation, impregnation and, eventually, death, Cow becomes a searing portrait of industrial animal agriculture.

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Author Biography

  • Anat Pick, Queen Mary University of London

    Anat Pick is Professor of Film, Animals and the Environment and the Head of the Department of Film at Queen Mary University of London. She is author of Creaturely Poetics: Animality and Vulnerability in Literature and Film (Columbia University Press, 2011), and co-editor of Permacinema: Rootedness, Regeneration, Resistance (Palgrave 2027), Religion in Contemporary Thought and Cinema (Edinburgh University Press, 2019), and Screening Nature: Cinema Beyond the Human (Berghahn, 2013). Anat has published widely on animals in film, ecocinema, and film philosophy. Her forthcoming book is entitled Simone Weil and the Cinema of Affliction (Edinburgh University Press, 2027).

References

“Andrea Arnold: Birds of Her Feather,” presented by Laura Staab. YouTube, 17 Feb. 2025, 8:37, https://www.youtube.com/watch?v=KWd2pRTEbw0.

Arnold, Andrea. “We Are Animals. We Need to Connect to the Millions of Non-Human Lives We Use.” The Guardian, 7 July 2021. https://www.theguardian.com/film/2021/jul/07/andrea-arnold-cow-cannes-film-festival.

Jacobs, Amber. “On the Maternal ‘Creaturely’ Cinema of Andrea Arnold.” Journal of British Cinema and Television 13, no. 1 (2016): 160–76. https://doi.org/10.3366/jbctv.2016.0305.

Lawrence, Michael. “Nature and the Non-Human in Andrea Arnold’s Wuthering Heights.” Journal of British Cinema and Television 13, no. 1 (2016): 177–94. https://doi.org/10.3366/jbctv.2016.0306.

Parlett, Hannah. “The Creaturely Universe of Andrea Arnold.” A Rabbit’s Foot, 12 November 2024. https://a-rabbitsfoot.com/editorial/film/animals-bird-andrea-arnold/.

Paszkiewicz, Katarzyna. “Stray Aesthetic in the Cinema of Andrea Arnold.” Journal of Aesthetics & Culture 15, no. 1 (2023): 2196808. https://doi.org/10.1080/20004214.2023.2196808.

Shukin, Nicole. Animal Capital: Rendering Life in Biopolitical Times. University of Minnesota Press, 2009.

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Published

2026-08-14

Issue

Section

Scales Individual

How to Cite

Pick, Anat. 2026. “From Eyes Open to Eyes Closed: A Conversation With Andrea Arnold”. Humanimalia 16 (2): 197–213. https://doi.org/10.52537/humanimalia.28281.